Directly across the street from The Lindens is my favorite house in DC still in private hands, the Mary E. Stewart mansion, designed by Paul Cret.
Cret started work on the house for Stewart, the daughter of a lumber baron, in 1938 and it was completed the next year in 1939. Stewart's sister, Devore Chase, lived next door in a (slightly smaller) grand Louis XV style mansion designed by William Bottomley in 1931. The design was meant to compliment that house but transition to the more sedate Georgian style house (the Lindens) on the other side of the property. 
Above -Stewart's sister's house, the Devore Chase mansion. photo courtesy of robinsoneditions It currently is the dc residence of the Sultan of Oman and looks only slightly different these days - lucky man!
I think this house sums up all of the charms we Americans have with French style. All of the romance is there: creamy limestone, a tall slate roof, charming balconies and the seemingly random placement of decorative round windows and other sculptural elements. Stewart probably went to Cret with this grocery list as he was an architect born in Lyon who studied at the Ecole de Beaux Arts before moving to America.
The house is large at nearly 12,000 SF and nearly fills the lot entirely except for a small brick entry drive and the planting bed you see here along with a small side yard. As she built the house after her sister, I can't help but wonder if she wanted to slightly out-do her: nothing wrong with some sibling rivalry! Kalorama is a tight neighborhood against Rock Creek Park with very few roomy lots for yards: The grand houses tend to max out the property here in the heart of the city.
One nice feature is that the house contains 2 garages off the side street by the service entrance. While the house might look a bit odd slid up against its neighbor like this, I assure you most of the grand residences in this part of the city do the same. The house would look lovely on a large piece of land but with this much style and a primo location, you take what you can get!
I first was made aware of the property years ago when it was featured in the AIADC magazine in the summer issue of 2004 as a home of note, and it became a part of my clipping files -the article is scanned in below.
The complete drawing set for the Stewart house by Paul Cret is located at the Athenaeum library in Philedelphia along with hundreds of other drawings from his estate. As you have to pay $40 to access them online (sorry, but no thanks!!!) I'll have to make a trip up to Philly to view the documents in person someday soon!Read more...
Featured in the March 2008 issue of Metropolitan Home magazine was an example of a city apartment with great bones which was renovated efficiently and beautifully. The great bones were there, natural light, outdoor space and tall ceilings on a high floor.
I would buy a rat filled shoebox of an apartment for that terrace. Amazing! I'm in love with the walnut paneling Povero had installed behind the fireplace (top image) and in the kitchen below and with the acres of white marble. I would have used a beefier countertop at the island though I think.....it looks fragile and skimpy.
The Villa Karma on Switzerland's Lake Geneva was his first major project, and here he was experimenting with what modernism was and yet still referencing the classical tradition more than in his later projects. It's this juxtoposition that I love so much and yet is so hard to find.
Loos's life, by the way, was a veritable soap opera, that would shock the most liberal biographer today. His contemporary, Frank Lloyd Wright was a walk in the park comparitively! But I'm not here to talk about his life ( you can read about it on wikipedia 
Here you can see some of the classical Doric columns that are used here on a loggia, but also at the front entrance as seen in the top image. Their presence is striking against the slick and austere facade of stucco. Notice also the statue of a face to the left - a classical element.
The upper level of this opening, as seen from the hallway above, was an obvious precedent for Michael Grave's own house in New Jersey (as was much of the work of Loos). Recognize it?
The library again shows the decorative (but not ornamental) use of marble and wood with large windows overlooking the lake. I could spend all day in this room!
This corner of the library shows another modern take on 'tradition' - a stained glass window.
The most famous room in the house, however (which also appears on the cover) is the master bathroom. Classicism rears its head again, this time in a black marble. The bronze doors are studded and I wouldn't want to walk into them in the middle of the night! The sink is between the 2 doors seen below: this room is enormous - a veritable temple to cleanliness!
The loggia, off the dining room is similar in form, but the floor pattern from the dining room is echoed on the ceiling out here in a classical motif. The niches at the end of the space are also somewhat classical (and I feel were probably added by Ehrlich and not Loos)
The photographs are by Roberto Schezen from the marvelous book, Adolf Loos Architecture 1903-1932 by Kenneth Frampton and Joseph Rosa. 
First image: Royal palace private apartments: Naples, Italy.
This is probably the design book I refer to the most -my comfort blanket. As an exchange student in high school, I visited this neighborhood of palaces outside of Berlin and knew that this is what my passion was -great residential design. I remember standing in this room above in Sancoucci (which I've blogged about before 
